1.
INTRODUCTION But
anyone who has ever been to a social dance notices that not everyone
is having a good time, or at least not equally so. While some sit
out many dances, others are constantly in demand. These fortunate
dancers seem not only to have a great time, they also transfer their
sense of joy to others around them. There is something about these
individuals that transcends good looks and dancing skill. How do
they do it? What are the personal qualities, habits, and skills
that lead to success on the social dance floor? This article explores
answers to these questions. Dance communities tend to be fairly small, giving a nice self-enforcing characteristic to dance etiquette. Inconsiderate individuals may temporarily enjoy themselves at other dancers' expense. But they quickly develop a reputation, mostly unbeknownst to them, and become outcasts. A good reputation, as a considerate and enjoyable partner, is a social dancer's best asset. Never blame your partner for anything that may happen on the dance floor. Not if you want him/her to dance with you again. A request for a dance must be accepted under almost all circumstances. If you decline a dance, you yourself cannot dance until the end of that song. No
unsolicited teaching on the dance floor! There
is a good chance this will make your partner feel small and humiliated.
Not exactly a great way of encouraging him/her, or others, to dance
with you. Do not monopolize a partner on the dance floor. Dancers are polite and rarely say no to a dance, but this is no carte blanche to impose on their kindness. Dance with everyone, and let everyone dance. On
the floor, be considerate of the other couples.
Exercise good floorcraft; do not cut other couples off; no aerials
or choreographed steps on the dance floor and keep control of where
you add arm styling and kicks. 3.
MAKE YOUR PARTNER HAPPY No uncomfortable leads: Cranking your follower's arm to make her turn, pushing and pulling to bring her into position, and other forceful leads will not be appreciated. If she is not doing what you want, then probably your lead was not skillful enough. Unless you know a pattern well, do not execute it on the social dance floor. Keep it for classes and practice time, until you have mastered the pattern, then bring it on the social dance floor. If the lead is good and the follower is still not following, again the leader is at fault, because he is leading a pattern too difficult for his follower. No back-leading: When you ask or accept to follow someone in a dance, you implicitly agree to let them lead. While this doesn't mean you have to be a perfect follower, or even a particularly good one, it does mean that you should not try to lead them. It is disrespectful and disturbing to your partner when you steal the lead; you are rejecting their contribution to the partnership. Protect your partner: For the leader this has two aspects. The first is floorcraft. Anticipate the movement of other dancers, and match your figures to empty spaces on the floor, so that you do not run your partner into other couples. Secondly, if there is imminent danger of collision, pull your partner close and turn, so that you absorb the blow. The follower can also protect her partner by keeping an eye out behind his back. If a couple is approaching from his blind spot, a small pressure on his shoulder or hand can warn him of possible collision. Entertain your partner: You are there not only to have a good time yourself, but also to entertain your partner. This means, among other things, making him/her comfortable, dancing at a level that is enjoyable for both, and maintaining a good sense of humor if something goes wrong. If you are a perfectionist in your dance studies, leave it behind in social dancing. Own up to mistakes if yours, but do not dwell on them either way. Playfulness and lightheartedness in dancing also goes a long way. Look at your partner and smile (except in dances one is not supposed to). Focus not on yourself, but on your partner. Make your partner feel appreciated: The most popular dancers are not necessarily the most skillful, but rather the ones who make clear to each partner how much that person's company is appreciated and enjoyed. Most people would rather not dance with someone who acts bored or put upon, no matter how amazing their dancing is. The annoyance factor: There are many things that may be acceptable in everyday situations, and yet can be very annoying when done at very close proximity, as one has to be while dancing. In particular, avoid humming to the music, counting the steps, or chewing gum while dancing. It is worthwhile to repeat once more the cardinal rule of social dancing: You are happy when your partner is happy.
4. WHO IS POPULAR? Good dancers are in demand: This is by far the most effective way of becoming popular in the dancing circles. Regardless of everything else, good dancers are always in demand. This should serve as a powerful incentive to try and improve your dancing. There is no need to know a million patterns; but one needs to have good technique and lead/follow. Practice, practice, practice! Then practice some more. Dancers seek dancers: Dancers are more likely to seek those they see dancing on the floor. Only as a second choice do they turn to those sitting on the sidelines. Maybe this is due to a feeling of confidence that someone seen on the floor is actually a dancer, or a pleasant dancer, or is less likely to decline a dance. Whatever the reason, if you are seen dancing on the floor, you have a better chance of getting the next dance. Think of it as a form of dancers' inertia. Getting over this inertia will help you have a pleasant night of dancing. Do your best to get the first few dances once you arrive at a dance event; it gets easier afterwards. Dance shoes: Dancers look for dancers, but how does one spot a dancer (unless you see one dancing)? The answer is: dance shoes! At a dance event where people don't know each other, you will see experienced dancers scan the crowd, not looking at faces, but rather looking at the feet! Making an investment in a pair of dance shoes is a sign of enthusiasm for dancing. Dancers know that, so wearing dance shoes will increase your chances of getting asked to dance. Dancers seek those who say ``yes'': Being turned down for a dance is never fun. Besides, it is a waste of time: with only a few seconds between songs, if one gets turned down once or twice, the next song is a loss. If you decline dances, or if you look stern, or hard to please, your chances of being asked to dance will be reduced, which brings us to the next point. Eagerness, willingness to dance: Stand close to the edge of the dance floor. Watch the dancers on the floor, tap your foot to the music. Smile. Dancers will be attracted to you if they feel you want to dance. Better yet, don't wait to be asked. Go ask someone to dance! What is the worst that can happen? Even if you are turned down, you have demonstrated your willingness to dance. Sense of humor, pleasantness: Be nice to your partner. He/She was certainly nice enough to ask you to dance, or agree to dance with you, so return the favor. Remember, you are there to have fun, so have fun! Have, or at least emulate, a pleasant demeanor. Most importantly, smile! Physical attraction: This is the one factor that is somewhat out of our control, but it is undeniable that in dancing, as everywhere else, good-looking people have an advantage. Men, especially, will gravitate to pretty women. Women, while lamenting the shallowness of men, generally behave no better. That said, for the most of us who are not endowed with movie-star looks, there is good news. Good looks might help in getting the first dance, but in the long run, personality, sense of humor, and most importantly good dancing skills, trumps good looks (at least on the dance floor). 5.
DANCE PARTNERS Dancing with a wide set of partners is a cornerstone of social dancing. This general principle applies to everyone, including dancers who are romantically involved. A romantic pair that dances only with one another undermines the structure of social dancing by refusing to contribute to it. Romantic couples who refuse to dance with others often act out of fear and inhibition: fear of damaging the romance by dancing with someone else, or feelings of insecurity when their sweetheart is dancing with someone else. These negative emotions are unfounded, and arise from completely invalid notions of social dancing. Requesting or accepting a dance carries no commitment outside of the duration of a song, typically 3-5 minutes. Think of it as a brief chat with someone in a cocktail party, before moving on to the next conversation. Going to a dance and declining to dance with everyone is as boring and pointless as going to a party and not speaking to anyone. We will say more about this topic in the section on Dancing and Romance. A great way to increase one's circle of dance acquaintances is to ask beginners to dance. I still fondly remember the advanced dancers who with some degree of regularity asked me to dance when I was a novice. Dancing with beginners is not only an excellent way to develop your lead/follow, but also is a great human investment that will pay off handsomely, because novice dancers don't remain that way for long. Don't think of dancing with a novice as charity, you are doing yourself a favor. On the other hand, be judicious about asking those more skillful than you. If everyone was constantly seeking dance partners better than themselves, virtually no dancing would take place. Dancers are nice, so the skillful partners that you seek may not decline at first, but if you continue to hunt them down, they will start avoiding you. My rule of thumb is: the frequency of asking someone to dance is inversely proportional with their level of dancing. If someone is far more skilled than you, then ask them only sparingly (of course feel free to accept whenever they ask you, which could be often). If someone is equally or less skilled than you, ask them more often. How do you get dancers, especially better dancers, to dance with you? Just be a considerate, warm, fun-loving partner, and keep improving your dancing. Finally, on the subject of regular dance partners: whether or not to have a regular partner depends on many factors. The obvious advantage of a dance partnership is having someone to take classes and practice with, or to go out dancing with, especially to places not frequented by dancers. However, dance partnerships present unique challenges, and may complicate other parts of your life. A dance partnership is a very special kind of relationship, with a delicate balance, whose maintenance is highly nontrivial. The interaction of dance partnerships with your personal and romantic life is especially something to be carefully considered. There are many arguments both in favor and against regular dance partnerships; the validity of each of these arguments varies greatly according to the personalities involved. Like any other relationship, a dance partnership requires care, consideration, and expenditure of time and effort. Before getting into a partnership, make sure you are willing to make the personal investment necessary to make it a success. It is worth noting that one has no claim on the regular dance partner during a social dance. In a social dance, everyone dances with everyone, with the exception of the first and last dance of the evening, which can be reserved. 6.
THE DANCE COMMUNITY Avoiding unpleasant situations is easy, especially because most dancers are easygoing, nice people. Just don't go out of your way to aggravate anyone. Easily done, because there is so much dancing going on, there is hardly time for anything else. All one has to do is to observe elementary social graces. Despite this, there are a few situations where dancers are prone to get in trouble. One of these sticky situations involves dance etiquette. Everyone seems to agree to dance etiquette in abstract, but there is a wide variation in what individuals believe applies to them in practice. When you see someone who is, in your opinion, in violation of dance etiquette, it may be awfully tempting to go and give the offender a piece of your mind. Or at least, to try and politely point out the mistake. Don't give in to that temptation! It is very difficult, in fact next to impossible, to change people. Few of us have that magical combination of tact, insight, and charisma to be able to change someone's behavior in a meaningful way. You are likely to generate resentment without accomplishing anything. Furthermore, you will look a silly busybody to onlookers. The exception is the case of a close friend, whom you feel obligated to help out. In that case, any related conversation had better take place tactfully and in private. But in general: Etiquette, yes. Etiquette police, no! Does this mean that etiquette offenders go scot free? Not really. Etiquette has a wonderful self-enforcing mechanism. Consistent violators will find themselves more and more isolated, and thus problems usually take care of themselves. In some cases more direct action may be needed, especially when the violator puts others in serious immediate discomfort or danger. Action should then come not from the average dancer, but from someone official, for example the emcee or DJ. In that case it is very important that the rules are stated unambiguously and enforced uniformly. Your job, however, is finished once you bring a violation to the attention of emcee or DJ. It is also a good idea to avoid old, tired, and un resolvable arguments, dance-related or otherwise. For example, there is nothing original left to be said (if there ever was any) about the superiority or inferiority of International vs. American style, Swing vs. Jive, Country Western vs. Swing vs. Ballroom, and so on. More often than not, these are questions of taste, people have made up their minds, and will not be swayed by anything that you have to say. Enjoy the dance and the company of your dancing friends; don't put them down. A phenomenon one sometimes sees in social dancing is dance cliques, groups of individuals that only dance among themselves, and implicitly or explicitly discourage others from dancing with them. There is very little you can do if you come across them. But if you are part of them: do yourself a favor, lighten up! 7.
DANCING AND ROMANCE Much of this unhappiness can be avoided by awareness of the basic premises of social dancing. Social dancing is exactly that, social. Once again I will use the metaphor of a cocktail party: a dance is like a brief chat in a cocktail party, after which one moves on to the next conversation. Each of these conversations may in turn be funny, heated, professional, elegant, or provocative. Nevertheless, they are nothing but brief conversations, enjoyable at the moment, but certainly not signifying or requiring a long-term interaction. The same principle applies to social dancing: Each dance is a brief, and hopefully enjoyable, social encounter. Newcomers to dancing sometimes have a hard time understanding this, but to ask or accept a dance does not necessarily indicate a personal interest, even though the dance itself might look passionate or provocative. Dancing is about fun and fantasy and make-believe. It often involves imagination and the telling of a story: the majesty of Waltz, sensuality of Tango, aristocratic nobility of International Foxtrot, or the irreverent fun attitude of Swing. A particular dance may look alternatively elegant, provocative, strong, or sexy, but it is only a role-playing game. Correspondingly, a social dance event is a safe haven where one can play these games and have a degree of uninhibited fun, with the understanding that our actions on the dance floor, especially during a dance, are not to be interpreted according to the more serious (and conservative) standards of the outside world. The common understanding of the dance community makes this level of fun possible; it has been agreed that we come together, enjoy our dancing, and that our dancing activities have no implications beyond the dancing itself. To read more into what happens on the dance floor would be a mistake. Two facets of this mistake that can be particularly hurtful: The first is to misread the attention and mannerisms of a partner, during dancing, as genuine romantic interest. While romances do develop in the dancing community (as anywhere else), be careful about making any assumptions. You will save yourself from an awkward moment, or worse, endangering your dancing friendships. The second facet of this problem involves romantic partners that both dance. The key to their dancing and romantic happiness is, once again, that dancing is merely role-playing, and that what happens on the dance floor is not for real. Each of them should feel free to dance with other members of the dance community. Realizing this, they can spare themselves much pain and anguish, and build a stronger relationship. Despite the fact that much of dancing is fantasy and make-believe, and that many dancers keep their romantic and dancing lives separate, there is nothing against looking for romance in the dancing circles. This may indeed seem a natural place for it, since dancing is an activity that brings the two sexes together. However, if you participate in dancing only for romantic purposes, it is advisable to be subtle and artful about it. 8.
LOOKING INSIDE The first ingredient of a good attitude is a sense of humor. Take all that comes to you in stride. If you are not asked for dances, or are turned down a few times, don't be bothered. If a particular dance does not go well, if you misstep in a pattern or two, let it pass. You can do no better than your best. Be nice to other dancers, continue to improve your dancing, and you will have a progressively more enjoyable dancing experience. Dancers are in general a likeable bunch. But in dancing, as elsewhere, you will come across all types. Sooner or later, someone may rub you the wrong way, or even worse, be directly obnoxious to you. You may see gigantic egos, unsightly ambitions, and plain unkindness. Especially if you are a novice dancer, these circumstances can be frustratingly difficult to deal with. Thankfully these situations are rare, but at such times it is especially important to look inside and draw on your strength of character. The key to enjoyment in dancing is awareness of your goal: to enjoy dancing. Enjoyment is contagious and cumulative. People like to be around individuals who enjoy themselves. Be one of those individuals. Be determined not to let small things spoil your evening of dancing. To enjoy dancing, you must enjoy the music. If you are not already a musical person, develop an understanding and appreciation of the music. It will also help your understanding of the dance. Active, outgoing personalities have an advantage in social dancing. Even if you are not naturally that way, try and cultivate a pro-active approach to your dancing. If you like a song and want to dance, if you like a partner and want to dance with him/her, don't hesitate to go and ask. Make friends in the dancing community. You would be surprised how much an occasional smile and salutation can do. There are virtually hundreds of individuals out there waiting to be friends with you. All it takes is a minimum level of effort from you. Ultimately no-one and nothing can make you happy or unhappy. Only you can make you happy. Dancing can help.
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